9/23/2024
Due to family medical issues, Requiem is on indefinite hiatus.
An elderly family member of ours took a bad fall on Labor Day night, and we’ve been dealing with the aftermath ever since. Hopefully, things will get sorted out, but as of right now, doing a daily comic is not something my schedule can allow.
Sorry to have this happen, but as everyone knows, real life comes first….and at least we don’t have too many running storylines on the backburner.
Dana McAllen is a member of the urban exploration association that is currently investigating remnants of the worlds previous civilization. She initially made her debut in the Tunnelrunners side comic. She has been Ian's closest friend since early childhood, and is still his closest confidant.
I’ve been looking at backgrounds all week. Side note; before my heart attack/stroke (2Jun18), I had bought a 32″ 2560×1440 monitor as my main display. I had finally installed it two weeks ago (yeah, my work/product/density has gone way down).
I have also compared these to prior releases in thee archives. These re-renders and updates are very nice and very crisp. Did you change output resolution as well? In general, I like them very much.
I didn’t change output resolutions at all. Everything you’re seeing is the result of having better monitors where I can see things a whole hell of a lot better. And change things accordingly.
Going back through the archive, this update really caught my eye—the panel composition and the way the lighting shifts in the lower panels does an incredible job building the scene’s tension and mood.
Whenever I see long-running visual projects like this with years of detailed digital linework and layered canvases, my mind immediately wanders to the data logistics behind the art. I spend a lot of time managing storage for local workstations, usually running a dedicated SAS HBA in an open PCIe slot paired with an expander card to maintain redundant drive arrays. Given how quickly multi-gigabyte working files, high-res exports, and master drafts can pile up over years of regular updates, keeping that creative pipeline safe from hardware failure is always a challenge.
It really makes you appreciate the sheer volume of unseen digital asset management that goes into keeping a webcomic running smoothly for the long haul. Do you manage your local comic archives and project files across redundant physical drives, or has basic cloud sync been enough to keep everything safe over the years?
Lots of time
for growing up.
I have also compared these to prior releases in thee archives. These re-renders and updates are very nice and very crisp. Did you change output resolution as well? In general, I like them very much.
I didn’t change output resolutions at all. Everything you’re seeing is the result of having better monitors where I can see things a whole hell of a lot better. And change things accordingly.
https://www.acer.com/ac/en/US/content/model/UM.FX0AA.004
I’ve got dual 24’s to replace my old Samsungs…I highly recommend these Acers. And they’re VESA compatible as well 🙂
Going back through the archive, this update really caught my eye—the panel composition and the way the lighting shifts in the lower panels does an incredible job building the scene’s tension and mood.
Whenever I see long-running visual projects like this with years of detailed digital linework and layered canvases, my mind immediately wanders to the data logistics behind the art. I spend a lot of time managing storage for local workstations, usually running a dedicated SAS HBA in an open PCIe slot paired with an expander card to maintain redundant drive arrays. Given how quickly multi-gigabyte working files, high-res exports, and master drafts can pile up over years of regular updates, keeping that creative pipeline safe from hardware failure is always a challenge.
It really makes you appreciate the sheer volume of unseen digital asset management that goes into keeping a webcomic running smoothly for the long haul. Do you manage your local comic archives and project files across redundant physical drives, or has basic cloud sync been enough to keep everything safe over the years?